Sat 30 September – EOCC Concert with a flavour of Brazil

My local choir, East Oxford Community Choir, is giving their second Concert with a flavour of my loved home country Brazil, now at my doorstep in Oxford, in Headington neighbourhood!

East Oxford Community Choir will be singing pieces by Brazilian composers Villa-Lobos, Ernani Aguiar and Ronaldo Miranda, also a piece by Oxford-based composer Marguerite Wallis.

I will be playing solo piano pieces by contemporary women Brazilian composers Marisa Rezende, Tatiana Catanzaro and Silvia Berg. 

Also, we will have special guests Julia Hollander and Peter McMullin.

Come to enjoy this Brazilian flavoured Autumn evening with us!

Entry is free, with donations for Gerontius Amenity Funds, which provides health care for poor old people in Sierra Leone.

Saturday 30 September 2017, 7:30pm

St Andrews Church

Old Headington

OX3 9DL

 

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Anúncios

Sat 15 July – EOCC Summer Concert with a flavour of Brazil

What a joy for me that my local choir, East Oxford Community Choir, is giving their Summer Concert 2017 a flavour of my loved home country Brazil!

East Oxford Community Choir will be singing pieces by Brazilian composers Villa-Lobos, Ernani Aguiar and Ronaldo Miranda, also a piece by Oxford-based composer Marguerite Wallis.

I will be playing solo piano pieces by Brazilian composers Marisa Rezende and Silvia Berg, and a piece by Portuguese composer Sara Carvalho for prepared piano and toy piano.

Also mezzo-soprano Julia Hollander will be singing pieces by Villa-Lobos.

Come to enjoy this Brazilian flavoured Summer evening with us!

Saturday 15 July 2017, 7:30pm

St Michael at the North Gate

Cornmarket Street

Oxford City Centre

Free, with retiring collection for Sanctuary Hosting

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myths & visions – piano (& body) performance

An extended piano performance, a journey to imaginary worlds and images.

I kindly invite you to join me in this performance when I will be playing a programme of works for extended piano techniques, all inspired by myths, imaginary landscapes and illusions.

In the journey we are taking, our bodies also take active roles: piano performance is blended with elements of dance; and the spectator/participant does the transition from outdoors to indoors within the experience of the performance, and swaps seats halfway through the programme.

This is the culmination of my PhD research, and I have the honour to have choreographer, teacher and dance artist Joëlle Pappas as my movement director.

The admission is free, but there are only 12 places per evening – booking is essencial.

Please email me at kesiadecote@gmail.com to book your seat, and to receive personalised information about meeting place and how to make the most of your experience.

Hope to have you with me in this very special [culmination of a] journey!

Wednesday 21st June – 9:15pm
Thursday 22nd June – 7:25pm
Friday 23rd June – 6:00pm
Oxford Brookes University
Headington Campus
Oxford, OX3 0BP

Programme (Duration: app. 50 min)

Prelude – piano and voice improvisation

Part I – myths

Henry Cowell – The voice of Lir, for piano [tone clusters] (1920)

Aeolian Harp, for piano strings (1923)

The Banshee, for piano strings (1925)

John Cage – Bacchanale, for prepared piano (1940)

Part II – visions

Sara Carvalho – inside silence, for prepared piano and toy piano (2012)

Marisa Rezende – Miragem [Mirage], for piano and mallets (2009)

John Cage – A flower, for voice and closed piano (1950)

Obs: this event will be filmed for personal archive and research. If you have any objections to be filmed, please do not hesitate to mention it in your booking email. Also, I would love to have your anonymous written feedback at the end of the performance, but it is totally optional for you to give it or not. Finally, please be aware that the spectator will be asked to walk short distances at the beginning and halfway through the performance. If you have any mobility issues, please do let me know in your booking email, and I will make sure to offer you adequate support for your best experience possible.

Credits (with many thanks)

Késia Decoté (concept and performance), Joëlle Pappas (movement director), James Ball (lights), Charis and Ella (ushers), Stu Allsopp (photo documentation), Alex Newton (video documentation – Wednesday), John Twycross (video documentation – Thursday), Jéssica Frazão (video documentarist – Friday), Paul Medley (poster)

PianoRoberts Pianos

Special thanks: CNPq (PhD sponsorship), Ray Lee (research 1st supervisor), Paul Whitty (research supervisor and SARU financial support), Joëlle Pappas (movement director), Marisa Rezende (composer), Sara Carvalho (composer), Cláudio Thompson and PhD colleagues for insightful feedback during the creative process, and priceless friendship throughout this journey.