I am really honoured to be curating the next Oxford Improvisers keyboard-focused concert.
‘Great to welcome pianist Angelica Sanchez live from New York to this special event in celebration of Piano Day – Ok, so that’s actually a week later, but still!
Sanchez is a phenomenal player who’s played with a whole host of US musicians from Wadada Leo Smith to Marilyn Crispell who she duos with’.
In her piano playing as well as her compositions Angelica Sanchez seeks out the lyrical heartbeat within any avant-garde storm…
The New York Times
The live online broadcast will also feature Dots, Blocks & Lines, a piece which I devised for the Oxford Improvisers Keyboard Ensemble. And programme also includes a reprobate collection of non-keyboard players too.
Earlier this year I was invited by Noah Max to participate in the Secret Sequenza Series: a new process where composers write for each other without knowing who they are writing for, then premiere each others’ work without knowing who wrote it.
This was one of my the first experiences as a composer, and the first one when I wrote to another performer.
I was really delighted then to hear my piece – from water – being given a beautiful and very sensitive première by David Evans on the concert streamed on the 10th March.
(from water starts at 40:26)
As everything in this project is surprise, I am just guessing that my performance will be featured on next episode of the series. I can’t wait to find out who my composer is!
É com imenso prazer que vou participar das celebrações do centenário de Clarice Lispector com o Group .BR, a única companhia brasileira de teatro sediada em New York.
Será um dia inteiro de eventos transmitidos através das plataformas online do grupo. A minha participação será às 16h30 (horário de Brasília) na programação Clarice na Música tocando a peça perto do coração selvagem para piano de brinquedo da compositora portuguesa Sara Carvalho, inspirada pela obra homônima de Clarice Lispector.
Para maiores detalhes do evento e link para as transmissões, por favor visite a página Dia de Clarice no website do Group .BR:
Early this year, when I was in self-isolation in Brasília due to the coronavirus pandemic, I started thinking about miniatures.
In a way, our homes became our universes in miniature. We spend so much time in the same old spaces with the same old objects, that they may start to become new. Suddenly, we have so much – and so little – time in our hands.
I also wanted to explore ways to share piano music, taking advantage of possibilities of the video format.
‘Piano miniaturas’ is a kind of video-piano-recital, with images collected within my then apartment over those months, and music which I recorded during the day of 23 May 2020, acknowledging all the environment noises and the passing of time in one day in this context of pandemic self-isolation.
You can watch it from Sunday 06 December, 4pm (UK time), on Youtube.
Na primeira metade desse ano, enquanto eu estava em isolamento em Brasília por causa da pandemia coronavírus, eu comecei a pensar em minuaturas.
De certa forma, nossas casas se tornaram nossos universos em miniatura. Passamos tanto tempo dentro dos mesmos velhos espaços com os mesmos velhos objetos, que de repente eles se revelam novos. Temos tanto – e tão pouco – tempo em nossas mãos.
Esse período foi também uma oportunidade de experimentar outras formas de compartilhar música ao piano, explorando possibilidades do formato de video.
‘Piano miniaturas’ é uma espécie de video-recital, com imagens coletadas de dentro do meu então apartamento durante os primeiros meses de isolamento, combinadas com gravações ao piano realizadas durante o dia 23/05/2020, reconhecendo o barulho e o passar do tempo em um dia típico desse contexto de isolamento em pandemia.
Música de Charlotte Botterill, Yfat Soul Zisso, & Erik Satie.
Você pode assistir a partir de domingo 06 de dezembro, 13h (hora de Brasília), no meu canal no Youtube.
This Friday 06 November, Para a frente, my debut EP with Nonclassicalis released!
Interweaving evocative piano lines with whimsical toy piano and pulsing electronics, the EP celebrates Decoté’s close collaborations with emerging composers. Taking its name from Yfat Soul Zisso‘s playful fragment for toy piano, Para a frente includes works by composers Michael Taplin, Angela E Slater, Omar Peracha and Max Gibson. (Nonclassical)
Recordings are from a concert at The Holywell Music Room in Oxford last year and from a studio session at Studio Sinal Music in Brasília this year, with additional mixing by Gabriel Prokofiev.
I am really thrilled to share this amazing music which means so much to me, and through this awesome label!
Digital album available through Bandcamp.
Order your copy, enjoy, and let me know your thoughts!
Very special thanks to Bruno Guastalla for the live recordings and image of the album cover, Antonio Martins Neto for the promotional photos, and Xenia Pestova Bennett for the key encouragement, always! 💙
No início do ano eu me mudei temporariamente para Brasília para dar aulas na universidade. A pandemia aconteceu, e acabou que as atividades acadêmicas não ocorreram como planejado. Esse foi então um período de isolamento nesse pequeno apartamento na Asa Norte, um período de experimentações criativas, reflexões, reinvenções, e muita espera.Na véspera da minha mudança do apartamento e da cidade , gostaria de concluir esse “capítulo” tocando música que fez parte desse período da minha vida.
Sexta-feira 16/10, meio-dia, por meia hora somente, no meu Instagram.
“Quando lembramos das horas que passamos naqueles cantos, lembramos acima de tudo do silêncio, o silêncio dos nossos pensamentos” (G. Bachelard)
Peças para toy piano e para piano elétrico de Ben Gaunt, Charlotte Botterill, Yfat Soul Zisso, & improvisações.
Not the kind of people to let a global pandemic get in the way of making music together the Oxford Improvisers have been meeting weekly throughout the lock-down via the wonder that is video-conferencing. It’s taken some getting used to but we’re now feeling pretty at home in our new venue which has allowed us to come together not only from the Oxford area but also with members from afar as Brasília, Dubai, Zurich, Radnorshire and even Chipping Norton!
If you’re missing your fix of live improvised music join us for our very first live online broadcast on Monday 22 June, 8.30pm – 9pm (British Summer Time) free via our Youtube Channel
In Portuguese (my mother tongue), there are two different words for light; Leve meaning weightlessness and Luz meaning luminosity. In this programme, I am looking into exploring light in musical terms, referring to aspects of touch, state of being and luminosity .
The initial spark for this idea came when I was practicing Ruth Crawford’s Prelude n. 8 – Leggiero, and Schoenberg’s Little Piece Op. 19 n. 1 – Leicht, zart (Light, delicate), which are fast pieces exploring lightness of touch, and will integrate the first section of the concert.
In another section of the programme, I would like to reflect about lightness as an emotional state, as in John Palmer’s Shambhala, which refers to ‘an imaginary place of peace and happiness dwelt by enlightened people’.
Michael Taplin’s Wax Candles opens a new section in the programme connecting the theme of Leve/Luz both in regards to lightness of touch and light as a sonic colour, bringing these elements together in one piece.
The final part of the concert reflects on light as the luminous phenomenon, with Thomas Adès’ Darknesse Visible integrating this section with references to darkness, or an absence of light.
This concert is to honour the Winter Solstice, a time to renew hope with the return of light in longer days in the North Hemisphere.
This concert will be at the Great Hall at the beautiful Abbey Sutton Courtenay. Attendance is by donation at the concert. We suggest £15 for a concert of this quality but all are welcome and proceeds support the Abbey Sutton Courtenay, a registered charity. 8 – 25 years old attend free.
– Arnold Schoenberg Leicht, zart (Light, delicate) – from Six Little Piano Pieces Op. 19 (1911) – Ben Gaunt – Light Spellsphere, for toy piano (2019) – Ruth Crawford-Seeger – Preludes 8 (Leggiero), for piano (1924)
[lightness of being]
– Yfat Soul Zisso – Para a frente, for toy piano (2018) – John Palmer – Shambhala, for piano (1990) – Silvia Berg – El sueño… el vuelo, for piano (2010)
[light – luz]
– Michael Taplin – Wax Candles, for piano (2018) – Yfat Soul Zisso – Full Moon, for toy piano (2019) – Max Gibson – Night over Berstane, for toy piano & piano (2017) – Thomas Adès – Darknesse Visible, for piano(1992) – Marisa Rezende – Miragem, for piano (2009)
Many special thanks to Charlotte Lepport, Dylan Thomas, Michael Taplin, Yfat Soul Zisso, Graham Stabler, Bruno Guastalla and Benoît Mangili.