An extended piano performance, a journey to imaginary worlds and images.
I kindly invite you to join me in this performance when I will be playing a programme of works for extended piano techniques, all inspired by myths, imaginary landscapes and illusions.
In the journey we are taking, our bodies also take active roles: piano performance is blended with elements of dance; and the spectator/participant does the transition from outdoors to indoors within the experience of the performance, and swaps seats halfway through the programme.
The admission is free, but there are only 12 places per evening – booking is essencial.
Please email me at firstname.lastname@example.org to book your seat, and to receive personalised information about meeting place and how to make the most of your experience.
Hope to have you with me in this very special [culmination of a] journey!
Programme (Duration: app. 50 min)
Prelude – piano and voice improvisation
Part I – myths
Henry Cowell – The voice of Lir, for piano [tone clusters] (1920)
– Aeolian Harp, for piano strings (1923)
– The Banshee, for piano strings (1925)
John Cage – Bacchanale, for prepared piano (1940)
Part II – visions
Sara Carvalho – inside silence, for prepared piano and toy piano (2012)
Marisa Rezende – Miragem [Mirage], for piano and mallets (2009)
John Cage – A flower, for voice and closed piano (1950)
Obs: this event will be filmed for personal archive and research. If you have any objections to be filmed, please do not hesitate to mention it in your booking email. Also, I would love to have your anonymous written feedback at the end of the performance, but it is totally optional for you to give it or not. Finally, please be aware that the spectator will be asked to walk short distances at the beginning and halfway through the performance. If you have any mobility issues, please do let me know in your booking email, and I will make sure to offer you adequate support for your best experience possible.
Credits (with many thanks)
Késia Decoté (concept and performance), Joëlle Pappas (movement director), James Ball (lights), Charis and Ella (ushers), Stu Allsopp (photo documentation), Alex Newton (video documentation – Wednesday), John Twycross (video documentation – Thursday), Jéssica Frazão (video documentarist – Friday), Paul Medley (poster)
Piano: Roberts Pianos
Special thanks: CNPq (PhD sponsorship), Ray Lee (research 1st supervisor), Paul Whitty (research supervisor and SARU financial support), Joëlle Pappas (movement director), Marisa Rezende (composer), Sara Carvalho (composer), Cláudio Thompson and PhD colleagues for insightful feedback during the creative process, and priceless friendship throughout this journey.